Álvaro de Campos’ poems characterize the apotheosis of Pessoan anguish. His poems reflect an existentially anguished try to find indicating.
They ponder the futility in their private achievements along with the possible pointlessness in their philosophies, expressing a way of insignificance from the deal with of a vast universe.
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This reflection prospects them to issue the trustworthiness of their own personal desires and ambitions. They question their own personal existence, evaluating on their own to inmates in an asylum who possess unwavering certainty.
Esse trecho é importante porque fala do estado de espírito do sujeito, da sua autoimagem, da sua autoestima e de como se conhecia tão bem a ponto de evidenciar com tanta precisão as suas falhas de automobileáter e de personalidade.
There are references to Dying, fate, and also the inevitability of lifetime's challenges and uncertainties. The imagery of "umidade nas paredes e cabelos brancos nos homens" (dampness around the walls and white hair on Adult males) implies the passage of your time and the decay that accompanies it.
Um dos poucos momentos otimistas do poema, onde o sujeito esboça alguma alegria, acontece quando ele vê da sua janela uma menininha comendo chocolates alheia aos problemas existenciais dos adultos.
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Aqui fica evidenciada a necessidade humana de querermos parecer aquilo que não somos para nos enquadrarmos socialmente, para agradarmos os outros.
some thing in life. This poem is considered the most popular that expresses the latter. All Campos poems can occur off as manic-depressive, aggravated, and a sense of worthlessness – this poem embodies it all.
The lyrics keep on to explain the scene from the speaker's window, observing the secret of a frequently bustling Road and reflecting to the enigmatic character of existence.
His poems come to feel as genuine since the shop, or a minimum of are an attempt to go into touch with this type of actuality. Near the end, he compares his writings for the store’s signal – a label to a real point all need to have.
The juxtaposition of loyalty to the Bodily globe ("Tabacaria") plus a perception that everything is actually a dream highlights their inside conflict amongst truth and illusion.
Campos was one of the most significant of Pessoa’s heteronyms as well as the one closest to his true coronary heart and person."
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